Focusrite Liquid Saffire 56
فکوس رایت لیکویید سفیر 56


تصاویر بیشتر
جهت دریافت قیمت تماس بگیرید
حتما تا به حال در باره پری آمپ های معروف کمپانی فکوس رایت شنیده اید.
Liquid Saffire 56 یک کارت صدای حرفه ای و با ا مکان اتصال به کامپیوتر از طریق firewire میباشد.
این محصول ترکیبی از دو سری لیکوید و سفیر میباشد که  امکانات و کیفیت عالی را در اختیار کاربر قرار میدهد.
خلاصه ای از امکانات این محصول :  کیفیت  24bit / 192KHz ، دارای 28 ورودی و 28 خروجی ، استفاده از پری امپهای با کیفیت بالا ، 0 ثانیه تاخیر  افکت پرسسور  (DSP) ، دینامیک رنج  109dB  ، همراه با پلاگین سوئیت ،  پشتیبانی از تمامی ورودی ها و خروجی های انالوگ و دیجیتال
Two Liquid Pre-amps
The marriage of a hugely flexible analogue front end with cutting-edge dynamic convolution DSP, each Liquid Pre-amp lets you choose from ten different classic pre-amp emulations, with an eleventh ‘flat’ option.

Six High Quality Award-winning Focusrite Pre-amps
Six award-winning Saffire pre-amps complement two Liquid pre-amps. All eight pre-amps demonstrate the same wide bandwidth philosophy behind the early vintage Focusrite units.

High Quality 24-bit/192kHz Firewire Interface
Professional digital conversion and JetPLLTM jitter elimination technology; pristine audio quality and reliable synchronisation are guaranteed.

Total I/O Count of 28 Inputs and 28 Outputs
A host of i/o options are provided*, including a unique loop-back facility for routing audio between software applications via Saffire Mix Control.

Suite of Focusrite VST/AU plug-ins
Upgrade your standard sequencer effects and bring a touch of class to your session with Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins.

Two separate headphone buses
Two artists can receive independent and fully customised monitor mixes. Each output has an independent level control available on the front panel.

Saffire Mix Control Zero-latency DSP Mixer/Router
Routing flexibility and intuitive one-click set-up solutions; Saffire Mix Control provides an 18 x 16 DSP mixer with excellent output routing and monitoring capabilities.

Front panel 5-LED metering
LED metering for each of the analogue, ADAT1, ADAT2 or S/PDIF inputs offers accurate viewing of levels direct from the front fascia.
Microphone Inputs
• Dynamic Range (A-Weighted): 109dB
• SNR (A-weighted): -109dB
• Frequency Response: 20Hz - 20kHz +/- 0.1 dB
• THD+N: 0.001% (measured at 1kHz with a 20Hz/22kHz bandpass filter)
• Noise: EIN > 125dB (128dB analogue to digital) (measured at 60dB of gain with 150 Ohm termination (20Hz/22kHz bandpass filter)
• Maximum level (A-weighted): 8dBu at 1%

Line Inputs
• Dynamic Range (A-Weighted): 109dB
• SNR (A-weighted): -109dB
• Frequency Response: 20Hz - 20kHz +/- 0.1dB
• THD+N: < 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter)
• Noise: -90dBu (22Hz/22kHz bandpass filter)
• Maximum level (A-weighted): 28.5dBu at 1%

Instrument Inputs
• Frequency Response 20Hz-20KHz +/- 0.1dB
• Maximum Input Level min gain no pad +8dBu
• Maximum Input Level max gain no pad -42dBu
• THD+N, -1dBFS, min gain, no pad < 0.0015%
• SNR 109dB "A"
• DNR 109dB "A"
• Input Impedance > 1MOhm
• X-talk < -100dB
• Adjustable Gain > 50dB
• Pad Attenuation 10dB

Headphone Outputs
• Frequency Response 20Hz-20KHz +/- 0.1dB
• SNR 109dB "A"
• DNR 109dB "A"
• Maximum Output into 32R +12.4dBu (+10.2dBV)
• Power into 32R 250mW
• Output Impedance < 7Ohms
• Load Impedance > 24Ohms

Line level Outputs
• Dynamic Range (A-Weighted): 108dB
• SNR (A-weighted): -108dB
• THD+N: < 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter)
• Maximum level (A-weighted): 15.7dBu at 0.883%

Additional Conversion Performance
• Clock jitter < 250 picoseconds
• THD+N AMPL (A-weighted)= -109dBFS


CONNECTIVITY

Analogue Channel Inputs (Inputs 1-8)
• Mic inputs 1-8 on rear XLR’s.
• Line inputs 1-8 on rear 1/4” TRS.
• Instrument inputs on channels 3 and 4 (separate front panel 1/4” TRS).

Notes
• Individual switchable High Pass Filter on all inputs.
• Phase switch on inputs 3, 5 and 7.
• Input Pad on inputs 3 and 4 = -10dB.

Analogue Outputs
• Line level 10 x 1/4” TRS Jack.

Notes
Outputs Monitor 1 and 2 have anti-thump protection circuitry.

Digital I/O
• SPDIF input and output (RCA phono) on rear panel, (24-bit, 44.1 - 192kHz),
output transformer isolated.
• Optional AES output mode with professional channel status and voltage levels
on SPDIF output (isolated and balanced). [Currently not implemented, a future update will include this feature].
• 2 x ADAT In / Out 16 channels (44.1 / 48kHz), 8 channels S-MUX (88.2 / 96kHz),
4 channels S-MUXII (176.4 / 192kHz).
• ADAT Input and Output 2 can be re-configured to be optical SPDIF input /
output via control panel.
• BNC Word clock input and output (75 ohms).

MIDI I/O
• 1 in / 1 out (16 channels) on rear panel.

Headphone monitoring
• 2 x 1/4” TRS Jack on front panel (mirrors outputs 7-8 and 9-10).
NOTE: These are high power headphone drivers.

Other I/O
• 2 6-pin Firewire sockets
• 2 Standard 5-pin DIN MIDI connectors: In and Out
• IEC mains power input connector

Weight and Dims
• 5kg / 11 Ibs
• 350mm / 13.8" (W) x 90mm / 3.6" (H) x 235mm /9.3" (D)

Focusrite Plugin Suite

Liquid Saffire 56 includes the Focusrite plug-in suite, produced by the same team that developed Novation's nio FX rack and Saffire Pro 40 Control. They provide the perfect upgrade from your standard sequencer effects with all-new Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins, for use in the mix.

Each plug-in has a host of pre-sets that provide a reasonable starting point, delivering suitable solutions for the chosen sound source. Having selected a preset, you can then go on to finely tune these settings.

he compressor and Gate have been modeled on the Focusrite's hardware devices, using the measurement of custom optos to achieve the signature Focusrite sound. (All Focusrite optos are tuned by ear, just like in the old days of analog design, ensuring a faithful recreation of those classic vintage 1960s optical compressors.)

With the same signature as the original Focusrite EQ curves. Focusrite's R&D team used state-of-the-art numerical transform techniques to create an authentic response across the entire audible frequency spectrum for this software EQ.

The Reverb is based on classic algorithmic studio reverb designs.
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